Entry tags:
Behold the self-pimp!
I wrote another essay, one that I think you might find interesting: (Original post here.)
This thing has been eating my brain since Thursday - I hope it makes sense to you too! :)
Epiphany: I think I understand The First Evil!
This was all brought on by reading
deborahmm’s post on ‘Sleeper’ the other day. She was wondering why did The First use Spike to open the seal? Especially considering that he’d murdered all these people full of perfectly good blood. And Andrew and the pig? Yes it’s wonderfully comical, but why would the oldest baddest evil in the world try to get a kid to kill a pig?
Then I remembered the scene with Spike attached to the big wheel thingy, and The First says:
“I have to admit, I'm glad it worked out this way. I was going to bleed Andrew, but (sighs) you look a lot better with your shirt off.”
Now The First obviously wanted Andrew dead (since as we later learn that his tears could deactivate the seal), but why did it want to bleed him? Or rather, what was all the faffing around with the pig about? And also The First has loads of Bringers - they could have grabbed anyone off the street to bleed...
But then things suddenly started to add up - here’s D’Hoffryn in ‘Selfless’:
“Haven't I taught you anything, Anya? Never go for the kill when you can go for the pain.”
Now going back to Andrew - what if he hadn’t run into Willow? Because it’s a fair bet that the butcher’s blood wouldn’t have worked either. I don’t know if he could have thought of anything else, but whichever way he would have failed. Just picture the scene:
Andrew: “I’m sorry it didn’t work. I - I really don’t think I can do this thing...”
First!Warren: “Hey - no worries buddy. As always yours truly has a back-up plan! And you don’t have to do a thing... well not as such.”
Andrew (relieved): “Thank goodness, you’re a real pal!”
First!Warren: “No no, thank you - watching you digging yourself deeper and deeper into a hole has been the most entertaining thing I’ve seen since the end of X-Files! But - all good thing must come to an end... Go on, get him!”
Bringers come out, grab Andrew and tie him down.
Andrew (terrified): “But... but... I thought... you promised... we were gonna be as gods...”
First!Warren (gloating): “You said wanted to help - did I forget to mention the dying part?”
Because what suddenly struck me (also due to
buttersideup’s essay mentioning how S7 is like S2) was the realisation that the Big Bad that The First most resembles is - Angelus! Just killing people is never enough if you can torture them first using every kind of mental and physical torment possible (of course if time is running short, grab a chain saw...). From ‘Innocence’:
Spike: “So you didn't kill her then.”
Angelus: “Of course not.”
Spike: “Now, I know you haven't been in the game for a while, mate, but we still do kill people. Sort of our raison d'être, you know.”
Drusilla: “You don't want to kill her, do you? You want to hurt her. Just like you hurt me.”
And that is The First all over - it wants to hurt people! And viewing The First as Angelus suddenly makes sense of stuff that previously looked very weird. Of course The First never appeared as Angelus (thankyouverymuch stupid network wars), but I have a feeling it would have made things a lot clearer. F.ex. Angelus is often described as someone who likes to play cat-and-mouse games. From ‘Sleeper’:
First!Spike: “There's an order. The slayer's not in order. But it can't hurt to play. Get your claws in the mouse, you know?”
Now, I’ll try to look at The First’s plan(s) in the light of this.
To take over the world, it has two plans, intertwined: To destroy the Slayer line and to build up an army of übervamps to conquer the world - then the scales will tip and The First will become corporeal.
Now the army bit is obviously running smoothly, so The First’s main focus is The Slayer and the Slayer line. Killing off the Potentials around the globe is fairly simple, as is blowing up the Watcher’s Council.
So The First concentrates on Buffy and those around her - her friends and allies, her ties to the world. And rather than just killing them off, The First uses a bit of finesse (“A real kill. A good kill. It takes pure artistry. Without that, we're just animals.” Angelus, ‘Fool For Love’.) - it is so confident in its eventual victory that it is quite happy just to play with them all for a while, inflicting pain and creating distrust, revelling in every word spoken in haste, every deed done in secret. Angelus tried to harass most of Buffy’s friends, and likewise The First happily messes with everyone in Buffy’s circle, exploiting their fears and weaknesses to great effect. Doing a quick run-through of the core group in S7 reveals the damage:
- Killing off (almost) all the other Watchers isolates Giles and makes him fall back on his basic Watcher training: Be ruthless and unemotional, save the world at any cost.
- The First talks to Willow, making her even more wary of her powers than before, feeding her insecurities.
- The First terrifies Dawn, then appears as her mother, causing her to doubt Buffy’s love and devotion.
- Caleb pokes out Xander’s eye, making one of Buffy’s main supporters distrust her when push comes to shove.
- The First terrorises the Potentials, making them question Buffy’s leadership and their own fates.
- The First does its best to sway Andrew back to its side, being obviously pissed off that Buffy ‘stole’ him. (He was clearly a ‘special project’.)
- Principal Wood is played very beautifully and skilfully indeed, since there is barely anything worse than a good guy who does something bad ‘for the common good’.
- Anya though is pretty much off The First’s radar post-’Selfless’, although D’Hoffryn is fairly sure of her ultimate demise.
And - although sometimes odd and muddled - The First actually has rather a good success rate with its tactics. Come ‘Empty Places’ Buffy gets thrown out of her house (“Now that's everything, huh? No weapons... No friends... No hope.” Angelus, Becoming II). All those little seeds of doubt have had time to blossom and the Scoobies and Potentials are just plain scared, all having their own personal reasons for acting the way they do.
So, Buffy has been very effectively separated from her ties to the world - all those things that make her go on. Of course this also ties in with the fact that she becomes incredibly self-reliant during a crisis, something The First is only all too aware of:
Its tactics re. Buffy are the slow separation from her friends (partly her own fault), and also making her doubt her own powers, when she comes up against the Turok-Han. Which was why it only ever raised one I think - like a ‘free sample’ to undermine her confidence. But Buffy is of course stronger than that. She does have a tendency for despairing and shutting down, but every time she has come back eventually, saying “I’m the Slayer! Don’t mess with me!” It all comes to a head in ‘Empty Places’ when it seems that she has lost everyone - and unlike ‘Becoming II’ there is not one vampire to kill (which was devastating emotionally, but not hard physically), but thousands upon thousands - this time Buffy would not be able to fight alone. And of course she doesn’t have to, because she has...
Spike! Spike the souled vampire that The First couldn’t break - it tried many of the same tricks it did on Angel, but with very different results (see this post). Maybe because Angelus was so much closer to The First’s way of doing things, revelling in his victims’ emotional pain (and thus easier for The First to understand). But Spike was never like that, which might be why The First had him kill when souled - to twist the knife a bit more. And I think the mind-control was (at least partly) so that Buffy wouldn’t trust him, a sort of flashing neon sign to alert the Scoobies. It’s also entirely possible that The First made him kill quite simply because it could.
Anyway, Spike is there to pick Buffy up - to give her back the ‘me’ she found back in Season 2, when everything looked lost.
And there is another character that The First can’t keep down either: Faith. Faith is a very straightforward character in many ways, and once she has chosen ‘the good path’, that’s where she’ll continue to walk, no matter what! And interestingly enough, this is all because of the friendship that Buffy extended, and then the trust that Angel showed. Angel who so often just let go himself, never let up on Faith. Which is why she tells The First exactly where it can stick it. From 'Touched':
First!Mayor: "You keep looking for love and acceptance from these people, these friends of yours, but you're never gonna find it. The truth is, nobody will ever love you. Not the way I love you."
Faith: "Get out."
First!Mayor: "They'll forever see you as a killer."
But Faith has just come from LA where she has been dealing with Angelus himself, needling her at every opportunity - she has all her defences well in place! From 'Release':
Angelus: "Come on, Faith, you're not even trying. Or is that why you really came back, huh? Not enough to punish yourself in prison? Is that it? Still looking for someone to help beat the bad out of you? You know what the funny part is, darling? I could beat you death, and it wouldn't make a difference. Nothing will ever change who you are, Faith. You're a murderer, an animal, and you enjoy it. Just like me."
Faith really has no part in throwing Buffy out, but does her best to pick up the pieces. Funny how each Slayer has a vamp as their rock.
Now I’m not sure what exactly The First had planned for Spike, although an interesting theory is that it’d activate him during the final battle. But there are other possibilities:
- To make Spike despair and turn to the dark side willingly.
- To make him such a danger that Buffy killed him.
- To make him kill Buffy (when most vulnerable).
- Or (and I quite like this) its plan was all along to make Robin kill him, using the side of good (a son’s rightful hurt and anger) to kill a possible champion. Which would have caused a huge rift in the Slayer’s camp and robbed them of a valuable fighter. How eagerly does Robin conspire with Giles, just as a solution is actually imminent? Did he have another visit from Mama that we never saw? Also Spike’s fighting skills were sub-par when controlled - all brute force and no finesse.
- Of course it’s possible that there either was no plan, except to create chaos and infighting in the Slayer’s camp, or that The First had several plans, and was biding its time to see which one would be the most effective.
In one way though, it doesn’t matter. Because The First miscalculates. In the last scene of Lessons, it is gloating over Spike and finishes off with the words:
“It's not about right, not about wrong... it's about power.”
And The First is pretty sure that nothing is more powerful than itself! It sees humans as feeble and emotions as a display of weakness:
“Oh, now, look... Things don't go exactly your way, so here come the waterworks. Ain't that just like a woman?” Caleb, ‘Empty Places’
Likewise Angelus despises humans and views love as a taint:
“She [Buffy] made me feel like a human being. That's not the kind of
thing you just forgive.” Angelus, ‘Innocence’
Angelus: “What do you know about it? I'm the one who was friggin'
violated. You didn't have this thing in you.”
Drusilla: “What was it? A demon?”
Angelus: “Love!”
‘I Only Have Eyes For You’
And in ‘Dirty Girls’ we have Caleb voicing his thoughts on the Slayer’s powers:
“So, you're the slayer. The slayer. The strongest, the fastest, the most aflame with that most precious invention of all mankind—the notion of goodness. The slayer must indeed be powerful. (with one powerful punch, he sends Buffy flying across the room) So, what else you got?”
But Buffy has always known that feelings and emotions are a strength.
Kendra: “Emotions are weakness, Buffy. You shouldn't entertain dem.”
Buffy: “Kendra, my emotions give me power. They're total assets!”
‘What’s My Line pt.1’
And it is something that Anya learns, the thing that makes her stay.
“And yet, here's the thing. When it's something that really matters, they fight. I mean, they're lame morons for fighting, but they do. They never... never quit. So I guess I will keep fighting, too.” Anya, ‘End of Days’
Humans are powerful because of their emotions. Humans are powerful because they care, because they fight even when it is hopeless. They took the world from the demons and they don’t plan on giving it back. They might not be as physically strong as demons, but as Season seven shows, the power of forgiveness and love - the notion of goodness - is far greater than even the oldest evil in the world!
So in the end it is forgiveness and love that saves the world - the one thing that Angelus, and The First, never understood!
First Slayer: “You are full of love. You love with all of your soul. It's brighter than the fire ... blinding. That's why you pull away from it.”
Buffy (surprised): “I'm full of love? I'm not losing it?”
First Slayer: “Only if you reject it. Love is pain, and the Slayer forges strength from pain. Love ... give ... forgive. Risk the pain. It is your nature. Love will bring you to your gift.”
ETA: Well knock me over with a feather! I think I actually converted someone to S7:
"Wow. Suddenly season 7 has stopped being lame and actually makes sense!"
Squeeeeeeeeee! ::dances::
This thing has been eating my brain since Thursday - I hope it makes sense to you too! :)
This was all brought on by reading
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Then I remembered the scene with Spike attached to the big wheel thingy, and The First says:
“I have to admit, I'm glad it worked out this way. I was going to bleed Andrew, but (sighs) you look a lot better with your shirt off.”
Now The First obviously wanted Andrew dead (since as we later learn that his tears could deactivate the seal), but why did it want to bleed him? Or rather, what was all the faffing around with the pig about? And also The First has loads of Bringers - they could have grabbed anyone off the street to bleed...
But then things suddenly started to add up - here’s D’Hoffryn in ‘Selfless’:
“Haven't I taught you anything, Anya? Never go for the kill when you can go for the pain.”
Now going back to Andrew - what if he hadn’t run into Willow? Because it’s a fair bet that the butcher’s blood wouldn’t have worked either. I don’t know if he could have thought of anything else, but whichever way he would have failed. Just picture the scene:
Andrew: “I’m sorry it didn’t work. I - I really don’t think I can do this thing...”
First!Warren: “Hey - no worries buddy. As always yours truly has a back-up plan! And you don’t have to do a thing... well not as such.”
Andrew (relieved): “Thank goodness, you’re a real pal!”
First!Warren: “No no, thank you - watching you digging yourself deeper and deeper into a hole has been the most entertaining thing I’ve seen since the end of X-Files! But - all good thing must come to an end... Go on, get him!”
Bringers come out, grab Andrew and tie him down.
Andrew (terrified): “But... but... I thought... you promised... we were gonna be as gods...”
First!Warren (gloating): “You said wanted to help - did I forget to mention the dying part?”
Because what suddenly struck me (also due to
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Spike: “So you didn't kill her then.”
Angelus: “Of course not.”
Spike: “Now, I know you haven't been in the game for a while, mate, but we still do kill people. Sort of our raison d'être, you know.”
Drusilla: “You don't want to kill her, do you? You want to hurt her. Just like you hurt me.”
And that is The First all over - it wants to hurt people! And viewing The First as Angelus suddenly makes sense of stuff that previously looked very weird. Of course The First never appeared as Angelus (thankyouverymuch stupid network wars), but I have a feeling it would have made things a lot clearer. F.ex. Angelus is often described as someone who likes to play cat-and-mouse games. From ‘Sleeper’:
First!Spike: “There's an order. The slayer's not in order. But it can't hurt to play. Get your claws in the mouse, you know?”
Now, I’ll try to look at The First’s plan(s) in the light of this.
To take over the world, it has two plans, intertwined: To destroy the Slayer line and to build up an army of übervamps to conquer the world - then the scales will tip and The First will become corporeal.
Now the army bit is obviously running smoothly, so The First’s main focus is The Slayer and the Slayer line. Killing off the Potentials around the globe is fairly simple, as is blowing up the Watcher’s Council.
So The First concentrates on Buffy and those around her - her friends and allies, her ties to the world. And rather than just killing them off, The First uses a bit of finesse (“A real kill. A good kill. It takes pure artistry. Without that, we're just animals.” Angelus, ‘Fool For Love’.) - it is so confident in its eventual victory that it is quite happy just to play with them all for a while, inflicting pain and creating distrust, revelling in every word spoken in haste, every deed done in secret. Angelus tried to harass most of Buffy’s friends, and likewise The First happily messes with everyone in Buffy’s circle, exploiting their fears and weaknesses to great effect. Doing a quick run-through of the core group in S7 reveals the damage:
- Killing off (almost) all the other Watchers isolates Giles and makes him fall back on his basic Watcher training: Be ruthless and unemotional, save the world at any cost.
- The First talks to Willow, making her even more wary of her powers than before, feeding her insecurities.
- The First terrifies Dawn, then appears as her mother, causing her to doubt Buffy’s love and devotion.
- Caleb pokes out Xander’s eye, making one of Buffy’s main supporters distrust her when push comes to shove.
- The First terrorises the Potentials, making them question Buffy’s leadership and their own fates.
- The First does its best to sway Andrew back to its side, being obviously pissed off that Buffy ‘stole’ him. (He was clearly a ‘special project’.)
- Principal Wood is played very beautifully and skilfully indeed, since there is barely anything worse than a good guy who does something bad ‘for the common good’.
- Anya though is pretty much off The First’s radar post-’Selfless’, although D’Hoffryn is fairly sure of her ultimate demise.
And - although sometimes odd and muddled - The First actually has rather a good success rate with its tactics. Come ‘Empty Places’ Buffy gets thrown out of her house (“Now that's everything, huh? No weapons... No friends... No hope.” Angelus, Becoming II). All those little seeds of doubt have had time to blossom and the Scoobies and Potentials are just plain scared, all having their own personal reasons for acting the way they do.
So, Buffy has been very effectively separated from her ties to the world - all those things that make her go on. Of course this also ties in with the fact that she becomes incredibly self-reliant during a crisis, something The First is only all too aware of:
Its tactics re. Buffy are the slow separation from her friends (partly her own fault), and also making her doubt her own powers, when she comes up against the Turok-Han. Which was why it only ever raised one I think - like a ‘free sample’ to undermine her confidence. But Buffy is of course stronger than that. She does have a tendency for despairing and shutting down, but every time she has come back eventually, saying “I’m the Slayer! Don’t mess with me!” It all comes to a head in ‘Empty Places’ when it seems that she has lost everyone - and unlike ‘Becoming II’ there is not one vampire to kill (which was devastating emotionally, but not hard physically), but thousands upon thousands - this time Buffy would not be able to fight alone. And of course she doesn’t have to, because she has...
Spike! Spike the souled vampire that The First couldn’t break - it tried many of the same tricks it did on Angel, but with very different results (see this post). Maybe because Angelus was so much closer to The First’s way of doing things, revelling in his victims’ emotional pain (and thus easier for The First to understand). But Spike was never like that, which might be why The First had him kill when souled - to twist the knife a bit more. And I think the mind-control was (at least partly) so that Buffy wouldn’t trust him, a sort of flashing neon sign to alert the Scoobies. It’s also entirely possible that The First made him kill quite simply because it could.
Anyway, Spike is there to pick Buffy up - to give her back the ‘me’ she found back in Season 2, when everything looked lost.
And there is another character that The First can’t keep down either: Faith. Faith is a very straightforward character in many ways, and once she has chosen ‘the good path’, that’s where she’ll continue to walk, no matter what! And interestingly enough, this is all because of the friendship that Buffy extended, and then the trust that Angel showed. Angel who so often just let go himself, never let up on Faith. Which is why she tells The First exactly where it can stick it. From 'Touched':
First!Mayor: "You keep looking for love and acceptance from these people, these friends of yours, but you're never gonna find it. The truth is, nobody will ever love you. Not the way I love you."
Faith: "Get out."
First!Mayor: "They'll forever see you as a killer."
But Faith has just come from LA where she has been dealing with Angelus himself, needling her at every opportunity - she has all her defences well in place! From 'Release':
Angelus: "Come on, Faith, you're not even trying. Or is that why you really came back, huh? Not enough to punish yourself in prison? Is that it? Still looking for someone to help beat the bad out of you? You know what the funny part is, darling? I could beat you death, and it wouldn't make a difference. Nothing will ever change who you are, Faith. You're a murderer, an animal, and you enjoy it. Just like me."
Faith really has no part in throwing Buffy out, but does her best to pick up the pieces. Funny how each Slayer has a vamp as their rock.
Now I’m not sure what exactly The First had planned for Spike, although an interesting theory is that it’d activate him during the final battle. But there are other possibilities:
- To make Spike despair and turn to the dark side willingly.
- To make him such a danger that Buffy killed him.
- To make him kill Buffy (when most vulnerable).
- Or (and I quite like this) its plan was all along to make Robin kill him, using the side of good (a son’s rightful hurt and anger) to kill a possible champion. Which would have caused a huge rift in the Slayer’s camp and robbed them of a valuable fighter. How eagerly does Robin conspire with Giles, just as a solution is actually imminent? Did he have another visit from Mama that we never saw? Also Spike’s fighting skills were sub-par when controlled - all brute force and no finesse.
- Of course it’s possible that there either was no plan, except to create chaos and infighting in the Slayer’s camp, or that The First had several plans, and was biding its time to see which one would be the most effective.
In one way though, it doesn’t matter. Because The First miscalculates. In the last scene of Lessons, it is gloating over Spike and finishes off with the words:
“It's not about right, not about wrong... it's about power.”
And The First is pretty sure that nothing is more powerful than itself! It sees humans as feeble and emotions as a display of weakness:
“Oh, now, look... Things don't go exactly your way, so here come the waterworks. Ain't that just like a woman?” Caleb, ‘Empty Places’
Likewise Angelus despises humans and views love as a taint:
“She [Buffy] made me feel like a human being. That's not the kind of
thing you just forgive.” Angelus, ‘Innocence’
Angelus: “What do you know about it? I'm the one who was friggin'
violated. You didn't have this thing in you.”
Drusilla: “What was it? A demon?”
Angelus: “Love!”
‘I Only Have Eyes For You’
And in ‘Dirty Girls’ we have Caleb voicing his thoughts on the Slayer’s powers:
“So, you're the slayer. The slayer. The strongest, the fastest, the most aflame with that most precious invention of all mankind—the notion of goodness. The slayer must indeed be powerful. (with one powerful punch, he sends Buffy flying across the room) So, what else you got?”
But Buffy has always known that feelings and emotions are a strength.
Kendra: “Emotions are weakness, Buffy. You shouldn't entertain dem.”
Buffy: “Kendra, my emotions give me power. They're total assets!”
‘What’s My Line pt.1’
And it is something that Anya learns, the thing that makes her stay.
“And yet, here's the thing. When it's something that really matters, they fight. I mean, they're lame morons for fighting, but they do. They never... never quit. So I guess I will keep fighting, too.” Anya, ‘End of Days’
Humans are powerful because of their emotions. Humans are powerful because they care, because they fight even when it is hopeless. They took the world from the demons and they don’t plan on giving it back. They might not be as physically strong as demons, but as Season seven shows, the power of forgiveness and love - the notion of goodness - is far greater than even the oldest evil in the world!
So in the end it is forgiveness and love that saves the world - the one thing that Angelus, and The First, never understood!
First Slayer: “You are full of love. You love with all of your soul. It's brighter than the fire ... blinding. That's why you pull away from it.”
Buffy (surprised): “I'm full of love? I'm not losing it?”
First Slayer: “Only if you reject it. Love is pain, and the Slayer forges strength from pain. Love ... give ... forgive. Risk the pain. It is your nature. Love will bring you to your gift.”
ETA: Well knock me over with a feather! I think I actually converted someone to S7:
"Wow. Suddenly season 7 has stopped being lame and actually makes sense!"
Squeeeeeeeeee! ::dances::
no subject
(Anonymous) 2011-01-28 11:13 am (UTC)(link)Turns out, you have this incredible talent for keeping me up all night, reading. It's past 3AM, I have to get up in 7 hours...and I have no interest in going to bed until I've worked through at least two more of your essays.
So, again I say, Thank you.
no subject
*beams* Thank you! (And it always pleases me immensely to find another S7-lover!)
Turns out, you have this incredible talent for keeping me up all night, reading. It's past 3AM, I have to get up in 7 hours...and I have no interest in going to bed until I've worked through at least two more of your essays.
Goodness. That's quite a compliment! I hope you enjoy, but I do hope you manage to get some sleep too - my essays aren't going anywhere! :)
And thank you for all your fabulous comments!
no subject
I just wanted to say (after all this time) that this is an awesome insight, and one that had never occured to me. (And I've come to the point where I quite like S7.) It makes sense even if I'm viewing the first on the metaphorical level as the reflection of Buffy's darkness, which is why it ends up wearing her face. We have met the enemy and they are us; likewise in S2 Angel(us) was her dark mirror.
And as I've never seen the episodes of AtS you refer to, I didn't have that reference-point as to why Faith was able to resist when others weren't.
It occured to me that it would have been interesting if the First had shown up as Angel, but then I realized, not so much. The First appears to Buffy as Joyce and as herself (Caleb she can easily dismiss once she's killed him); and that's important. The First is also a metaphor for everything Buffy is fighting in the world and in herself: the isolation as "One Girl in All the World" physically and emotionally. She has said over and over that she doesn't trust Angel but she certainly trusted Joyce (my mother, myself); Joyce's picture is in the living room next to the sofa she died on, over and over; Joyce gives Buffy strength to go on and make a choice in NA. I think Joyce is the only one who could have unsettled her the way it did, just as with Dawn. It's actually a brilliant strategy IMO.
Funny how each Slayer has a vamp as their rock.
Yes, THIS. Light and dark, yin and yang, each in one another.
no subject
*beams* I'm still proud of it! :)
And I've come to the point where I quite like S7.
Welcome! We have
Bringerscookies.It makes sense even if I'm viewing the first on the metaphorical level as the reflection of Buffy's darkness, which is why it ends up wearing her face. We have met the enemy and they are us; likewise in S2 Angel(us) was her dark mirror.
*nods*
And as I've never seen the episodes of AtS you refer to, I didn't have that reference-point as to why Faith was able to resist when others weren't.
Ooooh you should watch AtS! You're missing out on lots of good stuff. I genuinely can't choose which show I prefer.
It occured to me that it would have been interesting if the First had shown up as Angel, but then I realized, not so much. The First appears to Buffy as Joyce and as herself (Caleb she can easily dismiss once she's killed him); and that's important.
That's it. Angel(us) would not have that impact, having learned not to trust him the hard way.
Yes, THIS. Light and dark, yin and yang, each in one another.
Seriously, watch AtS! <3
no subject
As you should be! I'm glad I read it because I rather like referring to other people's metas and saying "This" when someone else has gotten there long before I have. And I just love intelligent thoughtful meta anyway.
Welcome! We have cookies.
And I have tea! Lapsang, assam, jasmine...
That's it. Angel(us) would not have that impact, having learned not to trust him the hard way.
Yes, exactly. Did I mention in my previous comment that Buffy dismisses the real Angel rather easily in Chosen? It's such a contrast. And watching Ted and Buffy and Joyce again, brings it back home to me. I wrote in my meta how Buffy is defending her mom and her home, "women's space" but the house is a metaphor for the heart, the body, oneself; we are "at home" when we are comfortable within our own skin, as well as with others. But also for the culture we come from (family, media etc), represented in Buffy's case by the WC, and the paradigm which keeps the citizens of SD willfully blind, the things her mom refuses to see; and S7 exemplifies the fact that Buffy has to grow beyond "the house", be comfortable in her own skin but also reject and change her world - smash the house down, because there is nothing left of value there, including the things she clung to, such as the couch Joyce died on.
no subject
Aw, thank you. And I know what you mean - I have a whole stock of essays that I refer to/refer others to.
And I have tea! Lapsang, assam, jasmine...
Oooooh. Thank you.
Yes, exactly. Did I mention in my previous comment that Buffy dismisses the real Angel rather easily in Chosen? It's such a contrast.
Mmmm, it really is. (Incidentally I once wrote a fic where Spike stayed around when Angel showed up in Chosen - It was... a hello, in case you're curious? Not meta-y, just playing the three of them off each other.)
and S7 exemplifies the fact that Buffy has to grow beyond "the house", be comfortable in her own skin but also reject and change her world - smash the house down, because there is nothing left of value there, including the things she clung to, such as the couch Joyce died on.
Ooooh that's lovely, and not an angle I've seen before. Thank you!
no subject
My meta bookmark folder is ridiculously long. If I named off my favorites I'd forget someone.
I just read your story and left a longish comment btw, thank you for the self-rec! (It makes me much less shy about my own self-rec: have you read my meta on "Ted"? I've been pimping it out like a mad thing because I'm rather proud of it; would love for you to look at it when/if you have the chance.
http://red-satin-doll.livejournal.com/13017.html
Ooooh that's lovely, and not an angle I've seen before. Thank you!
*pats self on back and beams* Coming from you that's high praise.
no subject
I know the feeling.
I just read your story and left a longish comment btw, thank you for the self-rec!
You mentioned First!Angelus and I thought... "Hang on, I'm sure I've written that." And then I remembered that it was just a cameo, but since I'm rather pleased with the story, I figured you might enjoy it.
It makes me much less shy about my own self-rec: have you read my meta on "Ted"? I've been pimping it out like a mad thing because I'm rather proud of it; would love for you to look at it when/if you have the chance.
Ooooh, I'll have a look. I like Ted, and it's a fascinating episode.
*pats self on back and beams* Coming from you that's high praise.
*blushes* Thank you.